We’re in 1977 divided Berlin and a young girl named Patricia manically enters her psychiatrist, Dr. Klemperer’s, office. She curls into the fetal position of his chair muttering of how she was groomed to be “perfect” by the heads of the famous Markos Tans Dance Company. She twitches squirrelishly and sees eyes on everything, tossing albums and books about to avoid their all-seeing gaze. She hears voices in her head. In an Arthur Miller manic episode she shouts “Witches!” and Dr. Klemperer writes down that her psychological state is diminishing. The camera then shifts to a dying woman in rural America as Thom Yorke’s melancholic score creeps into the background. This is Suspiria (2018)– not a remake of the 1977 Argento film, but something meant to hold its own. And while it’s a horror film first, it also supplies a healthy step in the right direction for women in film as well.
It’s 10 p.m. and one of my best friends and I decide to compulsively go buy about thirty dollars’ worth of flowers. We did this often–impulse buying after stressful days at work. Flowers are practical. And so is that nail polish with self-imposed misogynistic names. Spontaneity kept our minds quasi-busy. The moment we sat down—the moment we stopped—that was when our minds would dwell on heartbreak and failure so seemingly ubiquitous in education.
While children sit in holding pens and parents are sent away — while lives are broken — we are sitting behind our screens debating the legality and blame of a horrific situation. We are blending and bending facts to our will when, by definition, facts should be defended as iron-clad objective reality. Lines that do not bend to petty rhetoric. The general argument surrounding immigration and detention is derailing us from the conversations we should be having. Instead of what is right or wrong, we need to shift to something akin to how do we fix this… or what are possible solutions? What is the damage we are causing? In the face of these questions, who did it and who could be arrested for it should be overshadowed by the blatant fact that it is happening in the first place.
Finally was able to finish editing the video of our horse trek across Wales from the English border to the Irish Sea. I wrote much about the Welsh countryside, but some things can only be captured with our own eyes.
And it gave me a great excuse to use my new action camera.
It’s easy to see how inspired Tolkien was by these lands…
While all of us have full-time jobs and have little time, we still like to get together and geek out over stuff. What better-a-way to do that when you live on opposite sides of the country than to create a podcast! Co-hosts Robyn Miller, Muaz Z., and Ben Janca and industry special guests join me in geeking out over games, media, and literature.
After finishing our first season we went on a brief hiatus and currently just upload when we find the time.