How language is manipulating our thoughts and why it is drastically important to teach.
The trouble with words is that, regardless of their size, whether they are salient or subtle, they matter. In their weightless form, they can move mountains and manipulate realities. They can inspire genocide and create peace. America’s national parks are built on their formless back. The Nazi Party was founded on their circulation (e.g., all race other than what Hitler deemed Arian were described as parasitic “bastard races” in schools). The anger, or hatred, or disdain you may feel toward our current political situation in the United States could be based on the graceful words from our president’s mouth, or his Twitter.
Blade Runner 2019 provides a gorgeous narrative that digs into age-old philosophical questions.
Article published on Sidequesting: http://www.sidequesting.com/2018/01/elevated-sci-fi-and-why-stories-matter-blade-runner-2049/
Some may argue that its financial downfall at the box office dooms the film as a failure — yet many critics deem Blade Runner 2049 the best film of the year. There is a strange dichotomy in thought here, as to what deems a film’s success: on one hand we have financial failure, perhaps not enough popcorn to draw in the casual fan; on the other, we have a resounding success as one of the best science fiction films of all time, thanks to the very thing that made it unfriendly toward the casual viewer: existential investigation.
In that case, Blade Runner 2049 succeeds. It is long. It is hard to digest. But, to that end, it takes the viewer on a philosophical exploration of the human soul. That exploration, hard though it may be, is all the more important in an age when we are inundated with mindless entertainment, instant gratification, and unreliable information (I write, as I sit in a café staring at a couple in conversation — the girl, uninterested, browsing through Instagram; the guy, attentive, stares in erudite longing at her “uh huh” responses).
I am in love with your crevices and quirks. The man vehemently dancing with a sign on the side of the road. My waiter at the bar as he slides me a glass of wine and asks me how I am and listens to the rants of a stranger. The nuanced movements of starlings in mirmiration. A funny and nostalgic conversation with my brother. The smell of hay. The apparition of breath in cold. Dancing with friends to Christmas music in the back of a truck. The resonating sound as a piano key is struck.
The streets of London plead for attention; a necessary contrast from the ubiquitous gloomy atmosphere of a tired city. Art, music, musings, and performances line sidewalks and alleys. Voices and brassy guitar chords echo into the rhythm of the river. The beats of nightclubs vibrate walls and glass. Chatter and tourists and the scent of candied peanuts mixed with oil–a hint of America.
However, the hidden gems lie in London’s crevices. Between the booming parkour magic tricks and tourist traps. They are the unadorned modest moments. The kind that whisper a reminder: life can be simple and sweet and beautiful in small moments.
My gem, this time around, was an old man.
Why events like Dragon Con are holding contemporary geek culture together where E3 falls short, and how that is changing the industry.
It’s around 11 p.m. on a Saturday in Atlanta, Georgia. I am standing in a sea of people, all of whom are staring, in a sort of trance, at a strange amalgamation of pirate and goth singing sea-shantyish songs. Tongue-and-cheek lyrics that border on macabre and irreverence fill our ears, and we rise and fall with the sway of words despite the gruesome undertones—a stark contrast to the last hour, where we listened to the Atlanta Phil Harmonic Orchestra play music from film and television favorites. And the hour before that, when we perused an entire floor of artwork that ranged from Greek and Norse Mythology to dragons, faeries, and cats. Or before that, when we joined 600 other people and listened to the musings of Jim Butcher.
One of the hardest things about teaching is the acting.
When you have a weekend, or even just a night, where certain situations push you to emotional exhaustion, or even go so far as changing you, putting an eternal dent in your identity. And then, you suddenly find yourself sitting in front of a class, wondering how to bring the pieces of your mind together. How to convince them that you’re okay when a rush of thoughts are occurring in your head, and your heart sinks into your chest. When you have to remain in the present for them, but the sensation of falling is pulling you back towards stagnation. Grief weighs the most when you stop.
The smell of sweet maple syrup brushes my nostrils. A molasses-like sip of coffee touches my lips. I am staring out from my screened-in porch at a towering Live Oak who’s Spanish moss drapes like a spontaneous work of modern art.
In the background, Ray Charles is banging on the piano. Cardinals flirt with the introduction to spring.”Y’all” twangs off the tongues of people below me.
And I am home, mostly. Back in the south, near nature and the people I love.
Spot right next to my new apartment 🙂
A couple of years ago, my view couldn’t have been more different. And while I miss D.C. in many ways, there are things that validated the choices that led me here, as well as the choices I made for my future. But, there are also experiences and emotions that have validated my choice to live there.
When I lived in D.C., a step onto my balcony would amplify the sound of sirens. With a wipe of my finger, I could remove the soot that settled on my plants from the cars below. My view across the street was a busy hospital. My nostrils flared at the smell of car exhaust and rubber.
It’s 7 a.m. and the wheels of my brain are already in spin, its synapses engaged with one of the Great Courses audiobooks from Audible.
In graduate school, the mornings became my haven of thought and research. Gone were my college all-nighters–filled with a glass of wine for inspiration and the double shots of espresso and writing until I got kicked out of the local coffee shop; after which, I would go back to my apartment and sit at my desk, surrounded by notes from my roommates: that I should go to sleep and cease the habit of housing four different types of liquids (normally water, coffee, tea, and diet coke).
The me of the present, who now shuts down mentally at 10 p.m., questions how any of that was possible; but, it does not deny the credibility of memories backed by my lovely and brutally honest college roommates who dislike the name Peter, know that a Mike Tyson can also be George Forman, and question my love of succulents.
As a teacher, there are always little flashes of light.
Iridescent glimmers after long hours of digging. Dirt under your nails. Grit in your teeth. A rasp in your breath as you are suddenly able to inhale, with clarity in your lungs, a purpose. The scent of rain after a long drought… the kind that lingers in the air and forms steam off asphalt. That makes wilted plants perk up. It makes the waiting worth it.
The thought of hope made tangible is an addiction worth giving into.
And then there is, of course, the sudden fade to black and dust that I often lose myself in. Blinded by bureaucracy and unrelenting tasks. Suffocated by the lack of positivity. The pile of a to do list that hopelessly grows in the face of the illogical. When you are constantly assessing what you need to do, you begin to wonder if you will ever have time to be yourself again. How can you when your day often stretches beyond the uncomfortable limit of ten hours? The weight of students is often combined with the weight of leaving a personal life behind –writing, riding, gardening, adventuring, loved ones. They tug at each other. But you need both.
It all started with a brochure that my sister’s friend Judy gave me years ago: the Trans-Wales Trail. A horseback riding trek that would make any Tolkien fangirl weak at the knees. Open spaces. Dragon’s land. Riding a noble beast across a country. We discussed our ideas and goals of doing it one summer. Why would we not do it?
I was in high school with little money and poor decision-making skills. In order to not get my hopes up, my incredulous self set the brochure and idea aside, but I was forever unable to escape the dream of riding a horse through a limitless landscape.
Years later, here I am. Writing tid-bits on trains headed to my adventure and present reflections at a table in my sunroom. A strange form of time travel connecting past and present. I didn’t really explain what this adventure was all about in the first place, and it would be a lie to say it was largely born as a journey of self-exploration, (though it certainly became one). It was to fulfill that dream instilled within me by a brochure. To achieve what my imagination had been incessantly clawing at for years.