Suspiria 2018: the Nitty Gritty Rawness of Female

Suspiria 2018: the Nitty Gritty Rawness of Female

Spoilers ahead: Suspiria (2018) may not be a film driven by a feminist agenda, but it still works to push the medium forward in embracing a raw and real feminine identity.

(Article published on Sidequesting)

We’re in 1977 divided Berlin and a young girl named Patricia manically enters her psychiatrist, Dr. Klemperer’s, office. She curls into the fetal position of his chair muttering of how she was groomed to be “perfect” by the heads of the famous Markos Tans Dance Company. She twitches squirrelishly and sees eyes on everything, tossing albums and books about to avoid their all-seeing gaze. She hears voices in her head. In an Arthur Miller manic episode she shouts “Witches!” and Dr. Klemperer writes down that her psychological state is diminishing. The camera then shifts to a dying woman in rural America as Thom Yorke’s melancholic score creeps into the background. This is Suspiria (2018)– not a remake of the 1977 Argento film, but something meant to hold its own. And while it’s a horror film first, it also supplies a healthy step in the right direction for women in film as well.

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Flavor of the Geek Cast: Our Podcast for Geeking Out

While all of us have full-time jobs and have little time, we still like to get together and geek out over stuff. What better-a-way to do that when you live on opposite sides of the country than to create a podcast! Co-hosts Robyn Miller, Muaz Z., and Ben Janca and industry special guests join me in geeking out over games, media, and literature.

After finishing our first season we went on a brief hiatus and currently just upload when we find the time.

https://soundcloud.com/flavorofthegeekcast